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Washington State University
History | Faculty News

Dr. Herzog Wins Award

Shawna Herzog has received the Excellence in Online Teaching AwardThis award seeks to acknowledge and reward those faculty teaching Global Campus courses who go the extra mile to inspire and engage students in learning, support and care about students, and encourage students to do and be their best.

Dr. Peabody Selected for Endowment

Sue Peabody (History, Vancouver) is thrilled to have been selected for a National Endowment for the Humanities (NEH) 2023 Summer Stipend. She will complete the archival research for her book project, “The Failure of the Succès: Anatomy of a Slave Smuggling Voyage” in Paris and Nantes, while giving several invited lectures in Paris (Campus Condorcet, Sorbonne, Dartmouth Study Abroad) and Venice (Ca’ Foscari).

Dr. Herzog Presents Virtual Lecture

Shawna Herzog presented a virtual lecture on “Negotiating Abolition: The Antislavery Project in the British Straits Settlements” on March 21. This lecture was open to all undergraduate and graduate students in History, as well as other members of the NIU community. Participants were invited to view the lecture and participate in the discussion session afterward.

Dr. Gaynair Awarded Grant

Marlene Gaynair has been awarded an External Mentor Grant through ADVANCE @ WSU. Marlene will work with Dr. Sarah-Jane (Saje) Mathieu, an Associate Professor of History at the University of Minnesota, to prepare her book proposal.

Dr. Finkelberg Published in Dix-Neuf

Abstract: The iconography of King Louis-Philippe I and his invoices for garments purchased new and refurbished between 1831 and 1846 bring to light how the July Monarchy deployed fashionable menswear in a canny politics of image-making. In doing so the regime used dress to establish the credentials of the new regime. This work examines Louis-Philippe’s iconography alongside the written records of his purchasing habits to show how the regime used a strategic combination of visually tame military uniforms and subdued, but fashionable civilian menswear to create a new visual and sartorial vocabulary meant to legitimize the monarchy.